Birds Through an Opera Glass: An Illustrated Gallery

Birds Through an Opera Glass is Florence Merriam Bailey's 1889 field guide. It is the first American field guide written by a woman and the first to teach birdwatching without firearms. This interactive online edition includes the full text of all 70 chapters, every original illustration, vernacular gloss tooltips that explain 19th-century bird names and Bailey's regional vocabulary, modern eBird and Cornell links for each species, modern xeno-canto audio recordings paired with Bailey's transcribed bird songs (a feature unique to this edition), and full-text search across the entire book.

Title page of Florence Merriam Bailey's Birds Through an Opera Glass, 1893 Riverside Press reprint of the 1889 first edition.

Florence Merriam Bailey's Birds Through an Opera Glass (1889) was the first American field guide written for someone who might see a bird on a walk and want to know what it was, without owning a shotgun or a study skin. It described 70 species across short, observational chapters. Below are her 16 bird drawings (the Bobolink got two), with one of her sentences about each, and the 11 species whose songs she transcribed as inline music.

The 15 illustrated species

Each illustration is the inline drawing from Bailey's chapter on that species, paired with one of her sentences about the bird. Click through to the modern eBird account to compare what Bailey saw in 1889 with what's known now.

Inline illustration of an American Robin from Bailey's chapter on the species, book p. 5.

American Robin

He may always be heard piping up above the rest of the daybreak chorus, and I have seen him sit on top of a stub in a storm when it seemed as if the harder it rained the louder and more jubilantly he sang.

Book p. 5 · Modern account on eBird →

Inline illustration of an Eastern Meadowlark from Bailey's chapter on the species, book p. 41.

Eastern Meadowlark

He is the hermit thrush of the meadows, and where the light-hearted bobolink's song jostles the sunbeams, he is as solitary and pensive as the lonely hermit.

Book p. 41 · Modern account on eBird →

Inline illustration of a Northern Flicker from Bailey's chapter on the species, book p. 50.

Northern Flicker (Yellow Hammer in Bailey's text)

The song of the yellow hammer is like the German th—he hasn't any.

Book p. 50 · Modern account on eBird →

Inline illustration of a Barn Swallow from Bailey's chapter on the species, book p. 56.

Barn Swallow

It is funny enough to see them light on a wire. Fluttering over it for a moment before settling down, they sway back and forth till you are sure they must fall off.

Book p. 56 · Modern account on eBird →

Inline illustration of a Belted Kingfisher from Bailey's chapter on the species, book p. 58.

Belted Kingfisher

The kingfisher cares nothing for us or our habitations. He goes off by himself into the heart of the wilderness, to fly high and far over river and lake, calling loudly to the echoes as he goes.

Book p. 58 · Modern account on eBird →

Inline illustration of a Blue Jay from Bailey's chapter on the species, book p. 70.

Blue Jay

What a good business man the blue jay would make! All his motions are time-saving, decided, direct.

Book p. 70 · Modern account on eBird →

Inline illustration of an American Goldfinch from Bailey's chapter on the species, book p. 77.

American Goldfinch (Yellow-Bird in Bailey's text)

And what dainty light blue shells they had. Just as if bits of blue sky had fallen into the nest!

Book p. 77 · Modern account on eBird →

Inline illustration of a Hairy Woodpecker from Bailey's chapter on the species, book p. 93.

Hairy Woodpecker

Its rhythmical rat tap, tap, tap, tap, not only beats time for the chickadees and nuthatches, but is a reveille that sets all the brave winter blood tingling in our veins.

Book p. 93 · Modern account on eBird →

Inline illustration of a White-breasted Nuthatch from Bailey's chapter on the species, book p. 102.

White-breasted Nuthatch

There in their tops are the nuthatches, for they have deserted the tree trunks for a frolic. They are beechnutting!

Book p. 102 · Modern account on eBird →

Inline illustration of an Eastern Towhee from Bailey's chapter on the species, book p. 116.

Eastern Towhee (Chewink in Bailey's text)

His back is black and his sides match the crisp curled beech leaves that color the wood paths in fall.

Book p. 116 · Modern account on eBird →

Inline illustration of an Ovenbird from Bailey's chapter on the species, book p. 135.

Ovenbird

She spread out her wings and tail, dragging them along the earth as if helpless. On finding that we would not accept that decoy, she tried another plan.

Book p. 135 · Modern account on eBird →

Inline illustration of a Common Nighthawk from Bailey's chapter on the species, book p. 170.

Common Nighthawk

Just at twilight, above the chippering of the chimney swifts, you will often hear sharp cries that startle you into looking overhead.

Book p. 170 · Modern account on eBird →

Inline illustration of an American Redstart from Bailey's chapter on the species, book p. 182.

American Redstart

A little housewife will sometimes fly to her nest with strips of bark four inches long streaming from her bill.

Book p. 182 · Modern account on eBird →

Bailey's bird songs

Bailey transcribed bird songs as syllabic mnemonics with inline music glyphs underneath, not as full five-line staves. The transcriptions below are exactly as they appear in the 1889 text. Some, like the Wood Pewee's three song variants, predate later academic accounts (Wallace Craig's The Auk paper on the same songs came out 37 years later, in 1926).

Florence Merriam Bailey's transcription of the American Goldfinch flight call as 'dee-ree, dee-ee-ree' beneath the inline music notation.
American Goldfinch · “dee-ree, dee-ee-ree”, flight call
Florence Merriam Bailey's transcription of the Wood Pewee 'come to me' song variant beneath the inline music notation.
Wood Pewee · “come to me” phrase
Florence Merriam Bailey's transcription of the Wood Pewee descending 'U of sound' song variant beneath the inline music notation.
Wood Pewee · descending “U of sound” pattern
Florence Merriam Bailey's transcription of the Wood Pewee 'dear-ie dear-ie dear' song variant, three pairs of inline music notes.
Wood Pewee · “dear-ie dear-ie dear”, three pairs
Florence Merriam Bailey's transcription of the White-throated Sparrow song with two variations of 'I-I-pea-bod-dy' beneath the inline music notation.
White-throated Sparrow · two variations of “I-I-pea-bod-dy”
Florence Merriam Bailey's transcription of the Ovenbird crescendo song as 'teach-er teach-er teach-er teach-er teacher' beneath the inline music notation.
Ovenbird · “teach-er teach-er teach-er teach-er teacher” with crescendo
Florence Merriam Bailey's transcription of the White-crowned Sparrow song as 'whe-he-he-he-hee-ho' beneath the inline music notation.
White-crowned Sparrow · “whe-he-he-he-hee-hö”
Florence Merriam Bailey's transcription of the American Redstart song as 'Te-ka-te-ka-te-ka-te-ka-teek' beneath the inline music notation.
American Redstart · “Te-ka-te-ka-te-ka-te-ka-teek'”
Florence Merriam Bailey's transcription of the Black-throated Blue Warbler 'z-ie' guttural call beneath the inline music notation.
Black-throated Blue Warbler · “z-ie” guttural
Florence Merriam Bailey's transcription of the Hermit Thrush three-part main song with mid-phrase trills beneath the inline music notation.
Hermit Thrush · three-part main song with mid-phrase trills
Florence Merriam Bailey's transcription of a Hermit Thrush song variation 'ah re oo-oo' in broken-song form beneath the inline music notation.
Hermit Thrush · variation “ah re oo-oo”, broken-song form